You Can Pay Online  
243th Season

Mariinsky II (New Theatre)

12 March
19:00
2026 | Thursday
Modest Mussorgsky "Boris Godunov"
Opera in 4 acts
WasUS$107NowUS$99
View ticketsBook
Save7%
Artists Credits
Opera company
Performed in Russian (with synchronised Russian and English supertitles )
World premiere: 27 Jan 1874 Mariinsky Theatre
Premiere of this production: 06 Feb 2026


Libretto by the composer after the tragedy of the same name by Alexander Pushkin and Nikolai Karamzin´s tragedy The History of the Russian State

World premiere: 27 January 1874, Mariinsky Theatre (revised version of 1869)
Premiere of this production: 6 February 2026

Credits:
Music by Modest Musorgsky
Libretto by the composer after the tragedy of the same name by Alexander Pushkin and Nikolai Karamzin´s tragedy The History of the Russian State

Musical Director: Valery Gergiev
Director: Orlin Anastasov
Set and Costume Designer: Denis Ivanov
Lighting Designer: Denis Ivanov
Musical Preparation: Irina Soboleva
Chorus Master: Konstantin Rylov

Orlin Anastasov, stage director:
I have known Boris Godunov for a long time. I have performed the title role on many occasions. Tsar Boris is an “Everest” – the ultimate summit for any bass. My first encounter with Boris came through Andrei Tarkovsky’s remarkable production, which the Mariinsky Theatre brought to Monte-Carlo. That was where I first met many Russian artists – and now, more than twenty years later, I am able to work with them again. It is an extraordinary experience.
Later I took part in Andrei Konchalovsky’s production, followed by many others. In short, I began exploring the figure of Tsar Boris in my youth and continue to study him to this day. Naturally, I know the entire score in detail, in its various versions.
Musorgsky’s opera is one of my absolute favourites. I am particularly drawn to the first version – the one rejected because it lacked a love story and for several other reasons. When maestro Gergiev invited me to stage Boris Godunov, the question immediately arose: which version? I proposed the first version – without an intermission, two and a half hours of uninterrupted music, with no curtain breaks. Audiences in St Petersburg already know from Ernani, which I staged at the Mariinsky Theatre last season, that I dislike pauses for set changes, when the audience has to sit and wait for five minutes at a time. That kind of interruption dissipates the energy.
Staging Boris Godunov in St Petersburg, at the heart of Russian culture – and on the main stage of the Mariinsky Theatre, where the opera was first performed – is an immense responsibility and a serious challenge. As a Bulgarian, I belong to a Slavic people closely related to the Russians, and I hope that I understand the Russian soul. Without that understanding, interpreting Boris would be extremely difficult.
Because the time and place of the opera are clearly defined, I had no desire to transpose them elsewhere. We are working with the first version, which means there is no Polish Act and no Kromy Scene. Even so, the production will be large-scale: alongside the soloists, it involves a massive chorus, fifty children and an equal number of supernumeraries. To give the audience a sense of direct involvement in the unfolding events, we will move into the stalls several times. Yet the figure of the Tsar always remains at the centre.
My concept is to tell the story through Boris’s eyes, making use of contemporary tools such as video projections. I want to reveal every facet of Boris Godunov’s deep, tormented soul and to offer the audience keys to understanding it. I do not propose ready-made answers. Who is right, who is guilty – let the audience decide. And let their judgments not be hasty, for Boris is an extraordinarily complex figure, one whose new dimensions emerge again and again. He is a truly exceptional character. In opera, people often die – by the knife, by poison – but it is exceedingly rare for someone to die from the torment of conscience.

Synopsis
Prologue and Scene I
A courtyard of the Novodevichy Monastery outside Moscow. Guards and police officers are goading the people to pray that Boris Godunov will accept the throne. The Duma clerk Shchelkalov comes out and informs the people that Boris refuses to accept it. The police officer announces the Boyar’s order: “Be in the Kremlin tomorrow and await orders”.

Scene II
A square in the Moscow Kremlin. Boris’ coronation in the Cathedral of the Assumption. Boris appears amid bell-ringing to the people. He appears afraid of the burden of power.

Scene III
A cell in the Chudov Monastery. Monk Pimen is completing his chronicle of Russian history. The young novice, Grigory wakes from a bad dream; for the third time now he has seen himself ascend a steep staircase and look down from a great height over Moscow before falling.
Grigory listens to the story of Pimen’s earlier life asking particularly about the death of Tsarevich Dmitry in Uglich. Pimen recounts the murder of the boy, implicating Boris. “He would have been the same age as you and have ruled”, says Pimen. These words have a deep effect on Grigory, resulting in a brave and wild plan.

Scene IV
An inn on the Lithuanian border. Having run away from the monastery, Grigory, accompanied by the two wandering monks Missail and Varlaam, intends to cross the border. Grigory learns from the hostess how to slip into Lithuania, avoiding the border guards.
Police officers arrive at the inn looking for a fugitive who poses a danger to Muscovy. Only Grigory can read the warrant. He reads that the novice Grigory had run away from the Chudov monastery and the Tsar has ordered his capture. The warrant contains a description. To save himself Grigory reads out a description of Varlaam. Varlaam seizes the warrant and, struggling, slowly reads out the imperial decree. Grigory is recognised. He escapes.

Scene V
The Tsar’s apartments in the Moscow Kremlin. Fyo¬dor, Boris’ son, is studying while his sister Xenia mourns the death of her fiancй. The Tsar enters. He tries to console his daughter and takes interest in his son’s studies. All is not well with him. Boris knows that the people hate him and that he will be unable to attain their affection by any means.
Boris’ reflections are interrupted by the arrival of Shuisky. It is with great schadenfreude that he informs Boris that a Pretender has appeared in Lithuania. The name of the Tsarevich Dmitry unsettles Boris.
Boris orders Shuisky to fortify the Lithuanian border. He asks the Prince to confirm the Tsarevich’s death. Shuisky tells of the murder in detail. Surprised and terrified, Boris dismisses Shuisky. Alone with his conscience, he imagines he sees the ghost of the murdered child.

Scene VI
Outside St Basil’s Cathedral, Moscow. In poverty and hunger, the people await the end of the service. Inside the cathedral, Grigory is being denounced. The word is being passed that the Pretender’s forces are approaching Moscow.
Children outside the cathedral steal a kopeck from a Simpleton. He weeps. The Tsar and his entourage leave the cathedral. The people demand bread. The Tsar asks why the Simpleton is crying. “Some boys stole my kopeck, kill them like you had the young Tsarevich killed”. Boris asks the Simpleton to pray for him. “I cannot pray for Tsar Herod”.

Scene VII
The Granovitaya Chamber in the Moscow Kremlin. A meeting of the Council of Boyars to debate what action to bring against the Pretender. The others are disturbed that Shuisky is not present. He arrives at last. His tale of Boris’ sick visions is not believed. But Boris appears with the cry of “Be gone, be gone child!”. He addresses the Boyars. Shuisky interrupts him, suggesting he listen to an old man who wishes to divulge a secret. Pimen enters. He tells the Tsar that in Uglich there has been a miracle: a blind man recovered his sight at the grave of Tsarevich Dmitry. Boris cannot take this shock. Sensing that death is near, he calls his son…
To the tolling of bells, the dying Boris indicates Fyodor with the words “There is your Tsar…”


Mariinsky Theatre:
1 Theatre Square
St. Petersburg
Mariinsky-2 (New Theatre):
34 Dekabristov Street
St. Petersburg
Mariinsky Concert Hall:
20 Pisareva street
St. Petersburg

To make an order, please use mobile version of our website - buy tickets from any smartphone

BEFORE YOU LEAVE...
Enter now for your chance to win a Mariinsky Backstage Tour for 2 !
An error occured. Please, try again.
You're In!
Now you are participating in the drawing of amazing Mariinsky Backstage Tour for 2!