Step into the grandeur of Mikhailovsky Theatre - one of the city’s oldest theatres, opened in 1833, where passion and drama take center stage in Bizet’s Carmen. This timeless opera, alive with fiery music and unforgettable characters, immerses the audience in a tale of love, freedom, and fate, performed by artists trained at the same prestigious academies as the stars of the Mariinsky Theatre.
The Mikhailovsky Theatre presents Nacho Duato’s debut as an opera director — the new production of Georges Bizet’s “Carmen”.
Nacho Duato’s “Carmen” is a reflection on predetermination and fate, love, death and freedom — and the price you have to pay for it. Bizet’s ingenious realism has received a finest expression in this classically elegant production, simplicity of which enhances the beauty of the music. Stage designer Jaffar Chalabi and costume designer Angelina Atlagić — regular co-authors of the Spanish choreographer — have created the perfect setting for Nacho Duato’s subtle production.
Synopsis
Act one
Scene one
A square in Seville. The soldiers of the dragoon regiment are watching the passers-by. Micaëla comes in search for the corporal of dragoons, Don José, but fails to find him and leaves. The female workers of the tobacco factory appear in the square. Carmen the gypsy is one of them, and all the men, except José, are fascinated by her. José’s indifference awakens her interest: she throws him a flower as a promise of love. The arrival of Micaëla, who brings José a letter and a gift from his mother, makes him forget about the gypsy. Soon shouts are heard: Carmen has started a quarrel at the factory, and José has to escort her to jail. Left alone with the young corporal, the beautiful woman seduces him: José surrenders to her charm, breaks his oath and helps her escape.
Scene two
Two months later Carmen and her friends Frasquita and Mercédès are entertaining visitors at Lillas Pastia’s tavern. Escamillo, the famous bullfighter, is enchanted by Carmen but she does not care. Dancaïre and Remendado, the smugglers, need the girls’ help in delivering the loot and tempt Carmen to assist them. The gypsy refuses, as she is waiting for José, who is about to be released from jail, where he was serving a sentence for her escape. José does come to see the gypsy, but her joy does not last long — in the midst of the meeting, a trumpet signal is calling José to the barracks. He is about to leave, and Carmen is furious: she does not want to see a man for whom there is something more important than her love. Suddenly Zuniga, lieutenant of dragoons, appears at Lillas Pastia’s, and in a fit of jealousy José lashes out at his rival. Carmen calls her friends for help. José has no choice now: he must stay with Carmen and become a smuggler, too.
Act two
Scene three
The smugglers camp in the mountains. José is exhausted as Carmen has grown cold to him. Frasquita and Mercédès are telling fortunes by cards and Carmen joins them. Her friends expect wealth and love, but she herself sees death in her future. Escamillo suddenly appears. In a rage, José attacks the bullfighter with a knife, but Carmen stops the fight. Micaëla appears to persuade José to return to a peaceful life. Carmen scornfully says that the girl is right and this is no place for him here. José does not want to go, but Micaëla tells him about his mother’s fatal illness. He leaves to bid farewell to the dying woman.
Act three
Scene four
The square in front of the bullring in Seville. Everyone greets Escamillo. Carmen is next to him: her heart now belongs to the bullfighter. Her friends warn the gypsy that José is following her, but she declares that she is not afraid of him. When everyone leaves for the arena, José blocks Carmen’s way and begs her to return. Carmen is adamant — it is all over between them. In despair, José kills Carmen.
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