| Main Stage
				
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							| 21 September |  | 19:00 |  | 2012 | Friday |  | Giacomo Puccini "Madama Butterfly" (japanese tragedy in three acts ) Opera in 3 acts |  |  
				
				
										
												
						Performed in Italian (with synchronised Russian supertitles) World premiere:  Mariinsky Theatre, St Petersburg  Premiere of this production: 18 Mar 2005 The performance has 2 intermissions Running time: 3 hours 20 minutes Libretto by Luigi Illica and Giuseppe Giacosa,after David Belasco`s stage version of a magazine story by John Luther Long
 
 Performed in Italian
 •Premiere at the Mariinsky Theatre: 4 January 1913, St Petersburg•Premiere of this production:
 29 May 1999,Teatr Wielki – Opera Narodowa, Warsaw (Poland);
 27 October 2001, National Opera, Washington (USA);
 new version: 18 March 2005, Mariinsky Theatre, St Petersburg
 
 
 The Performance has three intermissions
 Madama Butterfly (Madame Butterfly) is an opera in three acts (originally two acts) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. The opera was based partly on a short story by John Luther Long, which was turned into a play by David Belasco; it was also based on the novel, Madame Chrysantheme (1887), by Pierre Loti.
Synopsis Act I 
 In the first act Lieutenant B.F. Pinkerton, a sailor with the USS Abraham 
Lincoln in the port of Nagasaki marries Cio-Cio-San , or "Butterfly," a 
15-year-old Japanese geisha. The Matchmaker Goro has arranged the wedding 
contract and rented a little hillside house for the newlyweds. The American 
consul Sharpless, a kind man, begs Pinkerton to forego this plan, when he learns 
that Butterfly innocently believes the marriage to be binding. (In fact, 
Pinkerton may revoke the contract whenever he tires of the "marriage.") The 
lieutenant laughs at Sharpless’s concern, and the bride appears with her geisha 
friends, joyous and smiling. Sharpless learns that, to show her trust in 
Pinkerton, she has renounced the faith of her ancestors and so she can never 
return to her own people. (Butterfly: "Hear what I would tell you.") Pinkerton 
also learns that she is the daughter of a disgraced samurai who committed 
seppuku, and so the little girl was sold to be trained as a geisha. The marriage 
contract is signed and the guests are drinking a toast to the young couple when 
the bonze, a Buddhist monk, (uncle of Cio-Cio-San, and presumably having entered 
the monastery in disgrace after the father’s seppuku) enters, uttering 
imprecations against her for having taken to the foreign faith, and induces her 
friends and relatives to abandon her. Pinkerton, annoyed, hurries the guests 
off, and they depart in anger. With loving words he consoles the weeping bride, 
and the two begin their new life happily. (Duet, Pinkerton, Butterfly: "Just 
like a little squirrel"; Butterfly: "But now, beloved, you are the world"; "Ah! 
Night of rapture.") 
 Act II 
 Pinkerton’s tour of duty is over, and he has returned to the United States, 
after promising Butterfly to return "When the robins nest again." Three years 
have passed. Butterfly’s faithful servant Suzuki rightly suspects that he has 
abandoned them, but is upbraided for want of faith by her trusting mistress. 
(Butterfly: "Weeping? and why?") Meanwhile, Sharpless has been sent by Pinkerton 
with a letter telling Butterfly that he has married an American wife. Butterfly 
(who cannot read English) is enraptured by the sight of her lover’s letter and 
cannot conceive that it contains anything but an expression of his love. Seeing 
Butterfly’s joy, Sharpless cannot bear to hurt her with the truth. When Goro 
brings Yamadori, a rich suitor, to meet Butterfly, she refuses to consider his 
suit, telling them with great offense that she is already married. Goro explains 
that a wife abandoned is a wife divorced, but Butterfly declares defiantly, 
"That may be Japanese custom, but I am now an American." Sharpless cannot move 
her, and at last, as if to settle all doubt, Butterfly proudly presents her 
fair-haired child. "Can my husband forget this?" she challenges. Butterfly 
explains that the boy’s name is "Sorrow," but when when his father returns, his 
name will be "Joy." The consul departs sadly. But Butterfly has long been a 
subject of gossip, and Suzuki catches the duplicitous Goro spreading more. Just 
as things cannot seem worse, distant guns salute the new arrival of a 
man-of-war, the Abraham Lincoln, Pinkerton’s ship. Butterfly and Suzuki, in 
great excitement, deck the house with flowers, and array themselves and the 
child in gala dress. All three peer through shoji doors to watch for Pinkerton’s 
coming. As night falls, a long orchestral passage with choral humming (the 
"humming chorus") plays. Suzuki and the child gradually fall asleep - but 
Butterfly, alert and sleepless, never stirs. 
 Act III 
 Act three opens at dawn with Butterfly still intently watching. Suzuki 
awakens and brings the baby to her. (Butterfly: "Sweet, thou art sleeping.") 
Suzuki persuades the exhausted Butterfly to rest. Pinkerton and Sharpless arrive 
and tell Suzuki the terrible truth: Pinkerton has abandoned Butterfly for an 
American wife. The lieutenant is stricken with guilt and shame (Pinkerton: "Oh, 
the bitter fragrance of these flowers!"), but is too much of a coward to tell 
Butterfly himself. He has assigned this awful task to his wife, Kate. Suzuki, at 
first violently angry, is finally persuaded to listen as Sharpless assures her 
that Mrs. Pinkerton will care for the child if Butterfly will give him up. 
Pinkerton departs. Suzuki brings Butterfly into the room. She is radiant, 
expecting to find her husband, but is confronted instead by Pinkerton’s new 
wife. As Sharpless watches silently, Kate begs Butterfly’s forgiveness and 
promises to care for her child if she will surrender him to Pinkerton. Butterfly 
receives the truth with apathetic calmness, politely congratulates her 
replacement, and asks Kate to tell her husband that in half an hour he may have 
the child. She herself will "find peace." She bows her visitors out, and is left 
alone with young Sorrow. She bids a pathetic farewell to her child (Finale, 
Butterfly: "You, O beloved idol!"), blindfolds him, and puts a doll and small 
American flag in his hands. She takes her father’s sword--the weapon with which 
he made his suicide--and reads its inscription: "To die with honour, when one 
can no longer live with honour." She takes the sword and a white scarf behind a 
screen, and emerges a moment later with the scarf wrapped round her throat. She 
embraces her child for the last time and sinks to the floor. Pinkerton and 
Sharpless rush in and discover the dying girl. The lieutant cries out 
Butterfly’s name in anguish as the curtain falls. 
 Provided by Wikipedia - 
Madama 
Butterfly  | 
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