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243th Season

Mikhailovsky Theatre

7 July
19:00
2026 | Tuesday
Russian Opera Stars at the Mikhailovsky Theatre
Un ballo in maschera (opera in three acts)
Opera in 3 acts
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Artists Credits
Opera company
Andrejs Žagars, Stage Director
Performed in Italian (with synchronised Russian supertitles)
World premiere: 17 Feb 1859 Teatro Apollo, Rome
Premiere of this production: 21 Jul 2010

The performance has 2 intermissions
Running time: 3 hours

The Mikhailovsky Theatre, nestled in the heart of Saint Petersburg and a beacon of Russian opera since 1833, welcomes audiences to an evening of dramatic intensity with performers who trained alongside Mariinsky artists in the city’s prestigious academies. Un ballo in maschera by Giuseppe Verdi unfolds a tale of love, intrigue, and political tension, where passion clashes with duty. From stirring ensembles to intimate arias, the opera’s music captures both the grandeur of royal ceremony and the tender, hidden emotions of its characters, creating a spellbinding experience that lingers long after the final note.

Libretto by Antonio Somma and Francesco Maria Piave after the play Gustave III by Eugène Scribe

Un ballo in maschera is one of Giuseppe Verdi’s crowning achievements. The opera is distinguished by the beauty of its vocal parts, the expressiveness of its ensemble singing, the brilliance of the orchestration, and by what Russian theatre historians often call ’Shakespearian might’. Verdi has constructed a musical drama around a series of contrasting moods, leavened the mysterious and gloomy scenes with a light lyricism, and framed the tragic denouement in the energetic gaiety of a costumed ball.

At the heart of the fable is a story of political conspiracy which gets mixed up with personal revenge. Since the opera’s libretto had to undergo a series of rewritings due to censorship, today’s producers are at liberty to choose the time and place in which the opera takes place, in keeping with their own artistic concept. In the Mikhailovsky Theatre production, we see a story of the turn of the century: at the start of the 20th century, empires crumbled, and a familiar way of life disappeared together with them.

SYNOPSIS

Act 1
The Governor of Boston, Richard Earl of Warwick, receives his courtiers. He looks down the list of those invited to the ball and sees the name of Amelia, with whom he has long been secretly in love. The trouble is that Amelia is married - to his secretary Renato, who is also his best friend. Suddenly Renato himself appears to warn the Earl of a plot and to reveal the names of the traitors. Despite Renato's insistence, Richard refuses to listen to anything about conspirators (Alla vita che t'arride). At that moment Oscar, Richard's faithful page, announces the arrival of the chief judge, who wishes to obtain the Governor's signature on an order to banish the sorceress Ulrica from the city. Seizing the opportunity, the page intervenes on the sorceress's behalf, going into raptures about her gift of prophecy (Volta la terrea. Fornte alle stelle). Richard is amused by all this, and suggests that everybody disguise themselves and visit the fortune-teller (Ogni cura si doni al diletto).
Ulrica's hut. Among those awaiting prophecies is Earl Richard, dressed as a fisherman. Amelia also arrives to seek the sorceress's help in getting rid of her secret and forbidden love - her love for Earl Richard. Ulrica orders Amelia to go to the place where death sentences are carried out and gather a magic herb that will make her forget (Della citta all'occaso). After Amelia has left, Richard asks Ulrica to read his palm (Di' tu se fedele). The sorceress looks at his palm, then suddenly stops, looks sad, and refuses to tell him what she sees. Finally, at the Earl's insistence, Ulrica reveals that he will soon die - not in battle, but at the hand of a friend - the one who is the first to shake his hand. Everyone is horror-struck, but Richard refuses to believe the prophecy (E scherzo od follia). He holds out his hand, but nobody wants to shake it. At that moment Renato enters, greets the Earl and shakes his hand to the delight of his friends and the disappointment of the conspirators, because no-one believes that the devoted Renato could possibly murder the Earl. Richard nevertheless pays Ulrica for her fortune-telling. The choir sings the Earl's praises (O figlio d'Inghilterra).

Act 2
Midnight. In wasteland outside the city Amelia wanders in search of the magic herb (Ma dall'arido stelo divulsa) and unexpectedly meets Richard, who has followed her. In tears, Amelia begs him to leave. She no longer has the strength to suppress her feelings for him (Non sai tu che se l'anima mia). However, just at the moment when they are declaring their love for one another (Oh qual soave brivido), Renato appears. Terrified, Amelia covers her face with a veil. Renato warns Richard that Samuel and Tom want to kill him. Richard has to go away, leaving his beloved with her husband, who has not recognised her. But before he departs, Richard makes Renato swear that he will escort the lady back to the city, not attempting to find out who she is. Renato swears he will, and intends to hide her in a safe place. However, the conspirators Tom and Samuel prevent Renato from carrying out his intention. They have sought out Renato, knowing that their plans have been exposed, and now want to learn the identity of his mysterious companion. Renato tries to protect the lady, but in vain. When the conspirators start threatening Renato with death, Amelia lifts her veil herself. In astonishment Tom and Samuel subject the Governor's secretary to ridicule (Ve'se di notte qui colla sposa). Renato, who is filled with hate and desire for revenge, invites the conspirators to visit him the next day and returns to the city with Amelia.

Act 3
Renato's house. The deceived husband is ready to kill his wife there and then, but, heeding Amelia's entreaties (Morro, ma prima in grazia), he allows her to see her son for the last time. Left in solitude, Renato comes to his senses. His gaze rests on a portrait of Richard Earl of Warwick, and he decides that it would be better to kill him (Eri to che macchiavi quell'anima).
Tom and Samuel enter. Renato declares his readiness to join their plot. In order to convince the conspirators, he is prepared to swear on his son's life. Amelia is forced to draw lots to establish who is to kill Earl Richard. The lot falls to Renato. Oscar arrives with an invitation to a masked ball to be held that evening (Di che fulgor, che musiche). Renato decides that this will be the appropriate moment for retribution - the mask will help him carry out the murder. Meanwhile, Earl Richard is taking the decision to part with Amelia forever. He wishes to send her and her husband to England. A sense of foreboding is replaced by the desire to see her again (Ma se m'e forza perderti). Oscar the page passes Richard an anonymous letter which states that somebody will try to kill him at the ball. But Richard pays no attention to the warning: all he wants is to see Amelia once more (Si, rivederti, Amelia).
A hall in the Governor's palace. The masked ball is in full swing. Renato, learning from Oscar what costume the Earl is wearing (Saper vorreste), seeks him out among the guests and finds him at the very moment when he is declaring his love for Amelia for the last time and saying goodbye to her. Renato stabs his friend with a dagger and attempts to hide, but the Governor's guests catch the murderer and tear off his mask. Dying, Richard begs them to release his friend and tells him of the innocent nature of his love for Amelia (Ella e pura, in braccio a morte), and that he had parted with her forever.

 


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