Young German Bass-Baritone Andreas Wolf is a graduate of the University of Music in Detmold and made his professional operatic debut in Monteverdi‘s Orfeo under René Jacobs.
Already a regular guest at major opera houses and concert halls, he has worked with conductors such as William Christie, Marcus Creed, Helmut Rilling, Jérémie Rhorer, Raphaël Pichon, Peter Dijkstra, Jean-Christophe Spinosi, Alessandro De Marchi, Jordi Savall, Eduardo López Banzo, Andreas Spering, Paul Goodwin, Bertrand de Billy and Sylvain Cambreling.
Recent highlights include Guglielmo in Cosi fan tutte in the critically acclaimed staging by Michael Haneke at Teatro Real in Madrid, La Monnaie in Brussels and the Wiener Festwochen, as well as returns to La Monnaie as Leporello in Don Giovanni, and to Madrid for his role-debut as Figaro in Le Nozze di Figaro and the main role in the world premiere of El Público by Spanish composer Mauricio Sotelo.
Other opera appearances include Falke in Die Fledermaus and Jupiter in Platée, both at Oper Stuttgart, Elviro in Händel’s Serse at the Theater and der Wien, Zoroastre in Händel’s Orlando at Scottish Opera and Komische Oper Berlin, Man/Ephraimite in a concert-performance of Moses und Aron with the SWR Sinfonieorchester Baden-Baden und Freiburg at Teatro Real Madrid and the Philharmonie in Berlin, Littore and Tribuno in Monteverdi’s L'incoronazione di Poppea at Theater an der Wien, Curio in Händel’s Giulio Cesare at Salle Pleyel in Paris, alongside Cecilia Bartoli, Aeneas in Dido and Aeneas in New York and Moscow with Les Arts Florissants, Clito in Händel’s Alessandro nell'Indie at Beaune Festival and Nanni in Joseph Haydn’s L’Infedelta delusa for the Festival d’Aix-en-Provence.
A sought-after concert artist, he has performed Mozart’s Great Mass in C-minor with the Akademie für Alte Musik Berlin at Teatro alla Scala in Milan and Teatro Regio di Torino, a project with Bach cantatas with Bach-Collegium Stuttgart and conductor Hans-Christoph Rademann, Mozart’s Krönungsmesse with the Düsseldorfer Symphoniker conducted by Sir Neville Marriner, Johann Christian Bach’s Requiem and Haydn’s Stabat mater with Concerto Köln, Händel’s Apollo e Dafne with the NDR Radiophilharmonie Hannover, Bach’s Matthäus-Passion with the Nederlandse Bachvereniging and conductor Jos van Veldhoven, Händel’s Messiah at the Festival International d'Opéra Baroque de Beaune with l'Ensemble Matheus, Mozart’s Requiem at the festival in Lessay with Le Cercle de l’Harmonie, Bach’s Weihnachts-Oratorium with the Stavanger Symphony Orhestra and Händel’s L'Allegro, il Penseroso ed il Moderato and Alexander's Feast with the Kölner Kammerchor.
In recital, he recently appeared with pianist and rising star Kit Armstrong at the Musikfest Bremen. Recordings, include Haydn’s Jubilaeum Virtutis Palatium with Capella Augustina, Johann Ludwig's Trauermusik and Händel’s Ode for the Birthday of Queen Anne, both with Akademie für Alte Musik Berlin and all for Harmonia Mundi.
Engagements in 2015/16 include Papageno in Die Zauberflöte at Geneva Opera, Argante in Handel's Rinaldo with Il pomo d'oro in Brussels and Paris, Christian Philip Emmanuel Bach's Magnificat and Mozart Vespers with Choeur Accentus, Johann Sebastian Bach's B-minor Mass as well as cantatas with the Bavarian Radio Choir and Freiburg Baroque Orchestra respectively and Handel's Belshazzar with the RIAS Chamber Choir on tour.