Elena Pankratova

Soprano

A combination of musical sensitivity, superlative technique and spectacular stage presence mark Elena Pankratova out from among a new generation of dramatic sopranos. The spectacular success of her first Dyer's Wife in Strauss’s Die Frau ohne Schatten at the Florence May Festival in 2010 under the direction of Maestro Zubin Mehta proved an important breakthrough for her career that also succeeded in invitations from such renowned theatres as La Scala (2012), Teatro Colon Buenos Aires (2013), the Bavarian State Opera of Munich (2013) and the Royal Opera House Covent Garden (2014). Her rendition of the Dyer’s Wife in all of these theatres was met with enormous success.
Born in Yekaterinburg, one of the largest industrial and cultural centres of Russia, Elena Pankratova initially studied conducting and piano in her native city before graduating (with honours) as a singer and actor from the St. Petersburg State Conservatory. She was winner of several international singing competitions in Italy and Spain and worked for years with the great soprano Renata Scotto, polishing her roles in the Italian repertoire.
Pankratova’s initial operatic engagement took place at the Staatstheater in Nuremberg, where she soon garnered kudos in such varied roles as Amelia in Verdi’s Ballo in Maschera, the title role in Tosca, Lady Billows in Albert Herring, and Countess Almaviva in Le Nozze di Figaro. In Basel, she sung Alice in Falstaff (the same role she made her debut at the Teatro Colon in Buenos Aires in 2010), Elisabeth in Tannhдuser, Verdi’s Requiem and the title role of Bellini’s Norma.
Highlights in Miss Pankratova’s career include Odabella in Verdi’s Attila at La Scala, Sieglinde in Florence, Leonora in Il trovatore in Stuttgart, Dortmund and Moscow, Turandot in Bonn, Bologna and Florence, Elektra in Bari, Gutrune and 3rd Norn in Gцtterdдmmerung at the Palacio de Bellas Artes in Mexico City, Saffi in J. StrauЯ’s Zigeunerbaron at the Operetta Festival at Mцrbisch (Austria), Leonora in La forza del destino at the Nationaltheater Mannheim and at Theater Bremen, Norma in Dьsseldorf, Rosalinde at the Alte Oper in Frankfurt, Senta in Der fliegende Hollдnder in Frankfurt, Cologne and at the Savonlinna Opera Festival (Finland), Santuzza in Cavalleria rusticana in Livorno, Pisa, Lucca and Modena, Ariadne in Bonn und in Munich, Tosca at The Bridgewater Hall in Manchester, the Ludwigsburg Festival, in Frankfurt, Stuttgart and Oslo and Abigaille in Nabucco in Frankfurt, Hamburg, Rotterdam, Den Haag, Bavarian State Opera and Mexico City.
The singer also received an enthusiastic reception from both critics and audiences alike for her interpretations in Pergolesi’s Stabat Mater at the Kioi Hall in Tokyo, Shostakovich’s 14th Symphony at Munich’s Prinzregententheater, Mahler’s 2nd Symphony at the Alte Oper in Frankfurt, Una Poenitentium in Mahler’s 8th Symphony at MITO Festival in Turin and Magna Peccatrix at Beijing Music Festival in 2011, as well as Rossini’s Stabat Mater in Marseille in 2012.
The soprano has collaborated with such conductors as Zubin Mehta, Kent Nagano, Kirill Petrenko, Ralf Weikert, Semyon Bychkov, Stefan Soltesz, Charles Dutoit, Rudolf Bibl, Massimo Zanetti, Marc Albrecht, Paolo Carignani, Gianandrea Noseda, Julia Jones, Marc Soustrot, Giuliano Carella, John Fiore, Marco Guidarini, Jonathan Nott and Axel Kober, as well as with stage directors Tim Albery, Stefan Herheim, Claus Guth, Chen Kaige, Sergio Vela, Nigel Lowery, Paul Curran, Anthony Pilavachi, Carlus Padrissa, Roberto De Simone,Tilmann Knabe, Andreas Homoki, Roberto Oswald and Krzysztof Warlikowski.
Elena Pankratova’s future engagements include Elektra in Dresden, Die Frau ohne Schatten, Turandot and Venus in Munich, Fidelio in Geneva, Nabucco in Barcelona and Ortrud at the Deutsche Oper Berlin.